Every movie should have sex 💋, violence 🩸, and dancing 💃🏻🕺
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Mickey 17 2025
From one passive Mickey to another, I appreciate the representation. My adoration for Robert Pattinson keeps growing more and more with every film, and I’m grateful that we get two of him for the price of one; although, for how much exposition and world building takes up the run time, you’d think they’d explain why Mickey 18 deviates so much in personality from the previous iterations, but it’s fun to see the two dueling performances even if I think they’re…
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Ichi the Killer 2001
Ichi the Killer is like Takashi Miike’s Inferno, guiding me through layers of blood-soaked hell. There is an evil nature here that leaves me feeling unsafe even in the comfort of my own bed with the doors and windows locked. The movie is gleefully perverse while force-feeding me images of severed tongues, stretched out flesh, and puddles of various fluids. Yet Miike’s direction has such a keen, vibrant sense of style and absurdist humor to it that I eventually become…
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Once Upon a Time in the West 1968
Ennio Morricone is kinda the best film composer of all time. So much of this film is carried by his score infusing romance, drama, and folksy suspense where the script lacks to do so. I could listen to that harmonica motif on loop. And the way Leone blocks his actors and moves the camera around them is choreographed so cinematically I feel like a giddy baby playing peek-a-boo.
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