Name a better cinematic combination than “Orson Welles” and “playing a sociopath”
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The Lady from Shanghai 1947
A visually stunning mess of a film. As always, Welles’ direction is incredible (the funhouse shootout is famous for a reason), but otherwise the film feels like a sequence of disconnected scenes strung together with little connective tissue. I guess we’ll never know if the original cut was an improvement.
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