MonoZombie

MonoZombie Pro

Favorite films

  • In the Mood for Love
  • Mulholland Drive
  • Arrival
  • The Neon Demon

Recent activity

All
  • Memoir of a Snail

    ★★★★★

  • Good Grief

    ★★★½

  • The Apprentice

    ★★★½

  • Maria

    ★★★½

Recent reviews

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  • Memoir of a Snail

    Memoir of a Snail

    ★★★★★

    Memoir of a Snail is a bold and emotionally resonant film that challenges conventional storytelling through its distinctive use of stop-motion animation and unorthodox character design, far removed from standardised ideals of beauty. The visual aesthetic alone signals a departure from mainstream narratives, paving the way for a story that is as poignant as it is quietly radical.

    The plot follows the life of Grace Pudel, who finds herself attending the funeral of her best friend and surrogate mother—a moment…

  • Good Grief

    Good Grief

    ★★★½

    Following a tragic accident that claims the life of his husband, Oliver, Marc is abruptly torn from a seemingly idyllic existence and thrust into the unrelenting reality of grief.

    The film chronicles Marc’s emotional journey as he grapples with profound loss and attempts to reconstruct a life that, until the tragedy, had appeared to orbit entirely around Oliver. Charismatic and effortlessly magnetic, Oliver exuded a brilliance that captivated everyone around him—so much so that even Marc, his closest confidant, is…

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  • Maria

    Maria

    ★★★½

    Pablo Larraín has firmly established himself as a luminary in the realm of biographical cinema. However, Maria may well be the dimmest star in the constellation he has meticulously crafted.

    In a Chronicle of a Death Foretold fashion, Larraín recounts the final week in the life of Maria Callas, an undisputed icon of the opera world. The audience is drawn into a fragmented exploration of her past and the illusory world she inhabits, oscillating seamlessly between memory and reality. This…

  • The Girl with the Needle

    The Girl with the Needle

    ★★★½

    Unflinching and unembellished, the film portrays the inexorable decline of a woman as she is stripped of the last remnants of both material security and emotional solace in a world that appears utterly indifferent to her desperate yearning for belonging.

    In a narrative devoid of heroes or villains—where individuals engage in acts of cowardice and depravity with alarming frequency—the film seems almost intent on highlighting the darkness inherent even in gestures of kindness, as if to suggest that altruism itself…