Don’t Look Now (1973) transforms Venice into a haunting, almost sentient character, much like New York in Taxi Driver. The city’s labyrinthine canals and decaying grandeur mirror the psychological disorientation and grief of its protagonists. Nicolas Roeg’s direction emphasizes a “dirty” 70s vibe—Venice is not the romanticized tourist haven, but a shadowy, crumbling maze filled with menace and mystery. The city’s damp, muted tones heighten the sense of dread, making it both a physical and emotional trap. Venice, like Scorsese’s gritty New York, becomes the perfect backdrop for a descent into paranoia and despair.
