Michael Ritchie

Michael Ritchie

Classic movie fan, voracious reader, and librarian.

Favorite films

  • Casablanca
  • Animal Crackers
  • 2001: A Space Odyssey
  • The Music Man

Recent activity

All
  • The Man Who Turned to Stone

    ★★

  • Greed

    ★★★½

  • Lost Planet Airmen

    ★★★★

  • King of the Rocket Men

    ★★★½

Recent reviews

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  • The Man Who Turned to Stone

    The Man Who Turned to Stone

    ★★

    A group of 300-year old folks use the life forces of young women from a detention home to stay alive. Promising story with some decent acting, but such a cheap and drab production, making it difficult to stay with it. Looks and feels a bit like an Ed Wood affair, but more coherent and competent.

  • Greed

    Greed

    ★★★½

    I saw the 2 hour version of this back in the 80s and really liked it. This is a semi-restoration of the 4-hour "director's cut" that Von Stroheim put together in 1924 which was rejected by the studio. Despite the good intentions of those who put this together following the original script, nearly half of this version consists of production stills and mostly invented title cards. It drains the energy away from the film and winds up feeling more like a visual essay about the movie rather than the movie itself. If the 2 hour version is still out there, that's the one to see.

Popular reviews

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  • Noah's Ark

    Noah's Ark

    ★★½

    The flood sequence is pretty amazing--though it's a little sobering to hear that as many as three extras died during the shooting of it. The two plots don't really mesh together well--it's quite a stretch to connect the main story, a WWI melodrama, with the story of the flood and the ark--so points off for that. Also, it's an awkward mix of silent film with an occasional sound sequence with no rhyme or reason. Still, an interesting example of that strange time before talkies took over completely.

  • National Theatre Live: The Importance of Being Earnest

    National Theatre Live: The Importance of Being Earnest

    ★★★½

    Performed in an appropriately campy style, though the efforts at giving it an actual queer subtext don't work as well. But it's colorful, well acted, and fun.