Someone needs to make a supercut of Jeremy Strong’s Roy Cohn in this and Al Pacino’s Roy Cohn in Angels in America. Won’t be me probably but I’d watch that
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Cruising 1980
an augury for new york and america that in hindsight seems like an obvious allegory of the forces that would emerge in their dark hearts and transmogrify at the end of the 20th century: cruising looks out on AIDS and gentrification on the eve of their efflorescences and sees through to their hollow, haunted ends — the whole sick show conditioned by chronic, terminal corruption infiltrating political, economic, social and moral life from the inside out until everything is an…
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