A boltzmann brain finding solace in moving visuals.
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The Cremator 1969
Ne plus Ultra.
The surreal, visceral horror lies not only in its fantastical elements, but in the unsettling truth that its most terrifying aspects are deeply rooted in history. The burning of the body and the crumbling of conscience. All that was left was ashes.
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The Vanishing 1988
Granting this exquisite art piece 5 stars would have been predestined, so I chose not to.
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Winter Light 1963
With runtime almost half of its modern adaptation "First Reformed", offering less "substance" and smaller settings to consume. It is in no way lesser than its modern counterpart in conveying the existential dread experienced by its characters, which i was afraid as I saw the brilliant Paul Schrader's film first but the catharsis I felt in Bergman's film was unexplainable. The isolation, alienation and God's silence is profusely sensed in the characters' psyche paralleling the authentically shot bleak and stark…
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