After re-whatching this film many times over the years, I'm still fascinated by the fact that she has made such a unique and meditative self-portrait while in the films structure she has excluded herself and direct evidence of her being in it's entirety. This film always remindes me that in a harmonic structure how much leaving spaces empty in the film can do a lot more than the elemnts that are actually there, though it's not a self-reflective self-portrait, I think the audiences experience turns into a very self-reflecting one, having so much open space to wander around and meditate during the film.