It’s been over a decade since I first watched this film, and I was too young to fully grasp the emotions and the intricacies. It was a true visual and aural rollercoaster as I held my eyes so tightly from tearing up to not miss a moment.
기억을 지워도 다시 돌아오는 인연.
운명을 믿지 않는다, 하지만 어쩌면 운명인가보다.
탑 배우들과 AI를 소재로 한 스토리. 가능성은 많아 보였지만, 기대에 한참 못 미쳤다. 그래서 결국, 어떤 메시지를 전달하려는 건지 이해하기 어려웠다. 마지막에는 그냥 스킵하며 봤다.
A Korean female comedian openly talking about female desires on a Korean stage in front of a huge Korean audience and on a widely distributed platform? Wow.
For Park Narae to have come to this point, breaking ceilings and overcoming obstacles, to have a stand-up comedy show like this is incredible.
Lu Zhang's films have the delicacy and the ordinariness of Hong Sang Soo's films, but with a lingering discomfort—which I quite enjoy—and an eye for capturing scenes so beautifully. Probably some of the most beautiful long shots I've seen in Korean film. Plus the colours—the vibrant greens.
In brief, this film is basically a two and a half hours of people drinking tea and walking around a neighbourhood. It's very slow. But the poker face mystery of Choi Hyeon and…
