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Emilia Pérez 2024
This review may contain spoilers. I can handle the truth.
Late to the game on this one, but I think two things can be true:
1) the goal of this film was not realism, or even authenticity, and cinema NEED NOT be real or authentic
2) this film had deeply problematic trans politics and depictions of cartel life that did nothing to push the conversation forwardUnlike ROMA, which also generated a ton of buzz and discussion upon its release, debates on EMILIA PÉREZ have gone nowhere productive.
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Close Encounters of the Third Kind 1977
discovering how much I dislike Richard Dreyfuss and any character he plays
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