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The Brutalist 2024
When Matt and I were discussing after, he said “I love when people take a big swing.” I do too, but this is def a miss.
The first half is exciting and visually expansive filmmaking. I was almost giddy at intermission.
Second half didn’t work for me at all. If you’ve already implied something, you really don’t have to show the physical act.
And the score wants to be something people remember, but it is, much like the entirety of…
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Eddie and the Cruisers II: Eddie Lives! 1989
So. Much. Sax. Possibly the best shot of a sax player at the top of a waterfall of any film in modern history.
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