Lush and oppressive. What color. I think that you need to view most Wim Wender’s works like a fever dream—the narrative structure can’t be taken too literally for fear of getting caught up in inexplicable turns of events and baffling character decisions. When you do that, you’re in for a ride.
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12 Angry Men 1957
If I had to pick a single film that every member of our nation had to watch tomorrow, this would be it.
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