notjing captures the netflixization of tim burton better than lydia deetz’ transition from the iconic goth girl who stands up to beetlejuice in the first film to a woman with absolutely zero agency, reduced to a generic “sad widow with a charlatan boyfriend and a bad relationship with her daughter” trope in the second
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Calamity Jane 1953
i’m sorry but there’s absolutely no way that the writers did NOT know what they were doing when they wrote a song called “a woman’s touch” into a film that was already amazingly gay without it
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