a nice finnish summer (oh do i bloody miss finnish summer) vignette, but not much more than that. it felt reaching for a certain feeling a bit too much (hello to the soft piano playing 80% of the movie timespan), which made it at times slightly artificial
but! i fell asleep three or four times during the film, which is a record and - i think - a great sign of how comforting it is. tove jansson's wisdom and characteristic…
there has to be an automation set as part of international healthcare system which sends a link to paris is burning to every kid that thinks they might not exactly exclusively like girls or boys. i mean i'm 26 years old and i've watched it just now why on earth is that
i realised i don't remember how it ended
felt like a talk with a cool grandpa – at times confusing, at times tinnily straightforward, at times didactic, at times bursting with sleazy gags, at times calm and reaching for an insight, at times jumping between concepts. i'm just happy that ffc did it
