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Double-edged Axe 2022
this one is good. besides the cast's acting, which is no need to questioned it, i like it because the plot is quite dense and solid—something often forgotten in thriller-mystery dramas. you'll be guessing throughout the episodes about the clarity of the main case until the final episode. most importantly, just ignore the cgi at the end.
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True Mothers 2020
please don't erase me.
here for the leads: nagasaku hiromi, iura arata, and makita aju. like two sides of a coin, it explores different sides of motherhood in the given situation, as well as different forms of it, with great depth and sensitivity. it shows that being a true mother is a broad and generous concept, encompassing real people who navigate the struggles and responsibilities of that role in countless nuanced ways. it's good, but i think there's some parts that needed more explanations or the opposite: some parts were showed too much. still i would recommend this one to others.
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Amiko 2022
start from the beginning, please tell me. where exactly am i disgusting?
the kid actress, osawa kana, was so lucky she got the iura arata and the ono machiko as her onscreen parents.
jokes aside, anyways, i wanted to give such a standing applause to everyone involved. this movie presenting a nuanced story of familial dysfunction by making the audience follows amiko’s perspective, where key information remains obscured, highlighting her gradual exclusion from family, peers, and society. though the movie…
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Skeleton Flowers 2021
what's the earlist memory you can remember?
a slow-burning movie that draws you in, making you eager to see how the characters grow and evolve as the story unfolds. it’s a realistic and comforting film where you can’t help but love every character. i especially love how this movie cherishes the female lead, yo, and her relationships with those around her—how she navigates new and unexpected experiences with grace, embracing them with a smile.
let's go see it together some day. skeleton flowers.
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