“Anora,” directed by Sean Baker, won five Oscars on March second. Although the movie was great and despite these shortcomings, the film ultimately fell short of my expectations.
The first two acts of the film felt overly drawn out, with certain overly long scenes that weren't adding much to the overall story. Additionally, although Anora’s performance was remarkable, every other character lacked depth or development during the movie. Throughout the film, it was also frustrating to watch Anora and Vanya’s…
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Anora 2024
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Waves 2019
The 2019 "Waves," directed by Trey Edward Shults, captures the raw complexities of human emotions. Through its gripping narrative and cinematography, the audience is drawn into an emotional journey that feels profoundly personal. Its themes remind us of the enduring impacts of our actions, how one specific event may stray our lives into darkness. However, Waves also teaches us the value of healing, forgiveness, and how love, no matter how fragile, can guide us through life’s most turbulent moments. This movie is a true masterpiece that serves as a mirror for how we navigate our own lives and relationships.
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Longlegs 2024
"Longlegs," directed by Osgood Perkins, starting Nick Cage, is one of those films that lingers in your mind long after the credits roll, not because it frightens you to your core but rather because of its deeply eerie atmosphere. Originally, the movie was underwhelming as it did not deliver the typical fear that viewers might expect; as a matter of fact, the movie itself isn't scary and even struggles to deliver genuine fear. The film is more cerebral than visceral.…
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The Count of Monte Cristo 2024
Le Comte de Monte-Cristo (2024), réalisé par Alexandre de La Patellière et Matthieu Delaporte, est une œuvre captivante qui réinvente l’histoire classique avec une touche moderne. Les performances exceptionnelles des acteurs et des scènes rendent le film de trois heures fascinant, sans aucun moment d'ennui. Au-delà de l'histoire extraordinaire, le film explore des thèmes universels, montrant que même après tant d’épreuves, le Comte choisit de renoncer à la vengeance pour l’amour et le pardon.
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