Sometimes I think we take movies for granted. At least I do.
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Mickey 17 2025
This film was very good (better than I thought it would be, and better than Okja- don’t come for me). I think something I admire about Director Bong is his ability to take almost cartoonish characters from funny to terrifying within the same scene seamlessly. I can see this film being divisive for that same reason, because some of the satire is almost documentary-like at this point, and yet, one character says to the dictator of the story everything my…
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Punch-Drunk Love 2002
This movie contains many themes, but among them, the most simplistic, and indeed, annoyingly relevant. Love and it’s transformative powers. It’s a film for those who see white noise around them— when all they want is remove the noise with a feeling of worth and validation. It’s a toxic film with a hint of hope in a messy world.
In regards to Paul Thomas Anderson’s filmography it’s hard to place, but it’s definitely another step into the brokenness of contemporaneous.…
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Baraka 1992
It’s simply one of the best visual experiences one can have at the cinema, or at home with the 8K scan of the original 70mm negative. I echo what I said of Samsara (2011). It’s like everything you liked about Nat Geo of yesteryear. Less of a documentary with something to specific say, and more of look at how beautiful our world is on 70mm.
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A Complete Unknown 2024
It’s no ‘Walk the Line,’ which was one of the greatest biopics of the 2000s, but it’s still a solid time at the movies with some surprisingly great low light cinematography. This is more a story about the cultural moment surrounding the American Folk scene than Bob Dylan himself. Which makes sense, as he has always been a private figure, and this film doesn't really uncover his mystery all that much. The film is seemingly more concerned with his reactions…
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