Jim Jarmusch’s first three films marked the “ready, steady, go” of a powerful filmmaking career. With PERMANENT VACATION, a fidgety, crumbling examination of adolescent discontent in 80s New York, he was ready to have his say. This student debut might be technically shabby, but its cinematography shows a deeply idiosyncratic aesthetic, and there is a strong sense of the young auteur’s musky earnestness and integrity.
With the three-part STRANGER THAN PARADISE, a pared down precursor to SWINGERS, Jarmusch found his…