Rohmer’s movies are truly the embodiment of romantic philosophy within French cinema the way I would equate it to Chekhov’s short stories, like the The Lady with The Pet Dog.
The movie is an incredibly nuanced account of a devoted husband and the internal conflicts he faces in the midst of a somewhat successful marriage. I usually wouldn’t enjoy a plot line of a married man committing any sort of cheating, be it physical or emotional, but Rohmer portrays it…