Contender for the least hinged movie of all time. Argento is secretly a comedic maestro and this is his most outwardly funny work. So many out-there (i.e. brilliant) editing choices. There is a character named God and hallelujah plays when he is introduced. The core mystery is solved by forensic pseudoscience, then it fakes you out with a psychoanalytical ending that concludes with one of the most baffling sequences ever—obtuse connection but there are Pumpkin (2002) parallels.
In more ways than one…
