Samet

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Favorite films

  • Johnny Guitar
  • Snake Eyes
  • Fireworks
  • Mulholland Drive

Recent activity

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  • The Alto Knights

    ★★½

  • The King of Comedy

    ★★★★½

  • The Fan

    ★★★½

  • Chhaava

    ★★

Recent reviews

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  • Contagion

    Contagion

    ★★★½

    Watching this in 2025, post-COVID, feels like unboxing a time capsule we didn’t know we’d live through. Soderbergh’s clinical precision—down to the R0 calculations, paranoia, and vaccine race—mirrors 2020 so closely it’s almost smug. Bats? Lol. Wet markets? Lol. A globe-trotting Patient Zero? Lol. 

    The parallels are darkly funny: Winslet’s Dr. Mears tracing contacts like a CDC detective, Laurence Fishburne’s measured Fauci-esque calm, and the empty streets that scream 2020 lockdown vibes. Even the anti-vax grift lands, with Jude Law’s…

  • Outrage

    Outrage

    ★★★★

    Kitano is out to prove a methodical point reached in a more elegant, but less conclusive way in Johnnie To’s Election — gangsters, their absurdly rigid code of behavior and rules, and the arbitrary interpretation/re-interpretation of that code which is full of fatal and empty gestures. Machiavellian cinema.

Popular reviews

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  • Tenet

    Tenet

    ★★★★½

    “Don’t try to understand it, feel it.”

    If anyone could give you any advice when entering the theater for this film, read the quote above. This was a hard film for me to rate after watching, the plot was so complex and I didn’t catch some of the dialogue so it was hard for me to make a decisive rating.

    Tenet, is easily the most ambitious film ever made by Christopher Nolan. With a massive budget of $200 million, Tenet is the…

  • L'Argent

    L'Argent

    ★★★★★

    Could this be the most telling cinematic critique of capitalism ever? Few films build morals as obscure and listless as L’Argent. The composition of minimalist plans and formal decoupage create a controlled, thought-out environment, with no place for counterpoints, emotions, and desires. In the end, everything becomes mere objects, nothing really matters, like the counterfeit 500 francs. From there, this is a whole nihilistic deconstruction of capitalism, a constant apathy and an abrupt emptiness. The family scene, therefore, is almost a…