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Laura 1955
Maybe it's important, especially at these times to come back to the realist visual compositions to story telling. These old neo noirs such as this film experiment with sight and sound that attempts to adhere to how we actually experience emotions. Why would a man fall in love with a dead woman, and how? Watch it, it's remarkable how the story goes and then takes a risk in the mystery.
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Hangover Square 1945
Probably one The best films I've ever seen. A portrait of what it means to be an artist and the example of searching for what is one's ambition. Here ambitious motives are not fame, in the end what might unravel as madness is actually admitting one's obsession was the true nature of ambition, not the muse, the fame or power, but the work itself. It's a fantastic film that is a must for filmmakers to watch.
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Cure 1997
The sound design manipulates flesh off the bone. There is a circulating theme with the use of wind that ebbs and flows similar to the breathing nature of sea waves. When wind pulses such as in this film, there is a living artifact stuck in a spiral, alive and present -- behind you, whispering. With this element, the use of the unknown and the mundane, sits in the horror to the point a very factual sound such as a door opening or placed coins on the counter put you on the edge.
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Killers of the Flower Moon 2023
Something is missing, yes it's a fantastic film with all the use of cinematic techniques to storytelling. But I left without a image to stay with me. The mystery didn't remain, unfortunately. I was told by a close friend that the same feeling happened, as if we weren't given enough time or pause for where nothing happens but the space and characters existing, life itself. My friend suggested to watch a recent film, Eureka, that what Scorsese was trying to…
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