R. Eaton

R. Eaton

Professional editor of children's cartoons that loves horror. Dabbles in haunts, immersive theater.

Favorite films

  • Halloween
  • Young Frankenstein
  • Alien
  • A Nightmare on Elm Street

Recent activity

All
  • The Sting

    ★★★★★

  • The Monkey

  • The Substance

    ★★

  • Captain America: Brave New World

    ★½

Recent reviews

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  • The Sting

    The Sting

    ★★★★★

    A caper film that truly may be one of the greatest movies Hollywood ever gave us. Beautifully directed, written, photographed, edited, scored. The film shines as an example of superior craftsmanship... obviously made with love of the material and love of movies overall.

    Winning 7 Academy Awards in 1973, it was a huge hit with audiences and critics. To watch it now, it feels dated only as a period piece should feel. The film expects... even demands... the viewer pay…

  • The Monkey

    The Monkey

    A horror-comedy that manages to fail at comedy and at horror.
    The horror is not presented suspensefully and the comedy usually plays as cringe-worthy moments of awkwardness between the characters.

    The tone fluctuates wildly from scene to scene - comic to dramatic to horrific to surprisingly gory. Any suspense or forward momentum is usually brought to a screeching halt every time the movie tries to explore the dynamics of a traumatized father and the nonexistent relationship to his son. (It’s…

Popular reviews

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  • Salem's Lot

    Salem's Lot

    ★★

    A few striking visuals cannot save this from being an overall disappointment. Another "remake" that seems to have no reason to exist.

    To make this fit into an acceptable running time, I guess, there is almost NO character development or backstory provided for any characters. For some weird reason, this version completely trivializes the Straker character and turns him into a delivery person for Barlow rather than a partner. When Barlow appears, the character design is a nice tribute to…

  • Cemetery Man

    Cemetery Man

    ★★★½

    Disturbing, nonsensical, absurd, funny, beautiful, melancholy, sexy, philosophical and deeply romantic... this is a one-of-a-kind masterpiece defying any attempt to define its genre. The entire cast offers up strong performances perfectly stylized to the crazy tone of the film. (Particularly Rupert Everett, François Hadji-Lazaro and Anna Falchi)

    Here is a zombie film where the undead are catalysts for rambling examinations on the meaning of life, love and finding comfort in connection to others.

    The film feels upbeat but conjures intense…