One of the most grounded Bergman works, with a tone reminiscent of the domestic dramas from Cassavetes. The omission of score and use of long takes allowed room for the performances to really shine, and at times gave the piece a play-like quality. It goes without saying that the acting was simply off the charts here, with Ulman and Josephson giving god tier performances.
Despite coming away from this incredible moved, my main gripe is that (at times) the dialogue…