art should comfort the disturbed and disturb the comfortable
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The Worst Person in the World 2021
“wait … is this fucking play about us?”
even in its slowest moments, this felt deeply human, reminiscent of fleabag. it’s not a movie about answers, but about the quiet ache of self-discovery, the uncertainty of figuring yourself out
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Atonement 2007
was hoping for something with the charm of pride and prejudice. you know, the slow burn, the witty banter, the tension. instead, we get a love story that starts with ‘sweet wet cunt’ in a letter. soulmates, right??? the film spends so much time focusing on briony’s guilt and need for atonement that we’re meant to villainise her when, in reality, the real villain is the system that protects the rapist. she’s a naive kid who’s just trying to make sense…
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Baby Driver 2017
baby driver proves that a great soundtrack can elevate even the simplest plot. every song is a hit, but at times, it feels like the music is the main character, while the story tags along for the ride. ansel elgort plays the quiet, effortlessly cool lead well, and i really liked lily james as debora. she’s charming and easy to root for, but she never quite gets to be anything more than baby’s idealised love interest, more like a plot…
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