There is so much to say, yet the words feel just out of reach. But perhaps that’s the case with all of Tarkovsky’s films.
Andrei Rublev is extremely rich in content, with its roots deeply entangled in faith, suffering, and art. Midway through the film, I found myself wondering why Rublev was so affected by other people’s desires and sufferings, by the physical world itself. Was his faith truly unwavering if he struggled to surrender himself fully to God? Though…