I experience an indescribable amount of joy during the first chase when the drums kick in, the camera pans around to the guitar guy, and he starts playing his riff. It’s a special experience.
How does one create this?
I experience an indescribable amount of joy during the first chase when the drums kick in, the camera pans around to the guitar guy, and he starts playing his riff. It’s a special experience.
How does one create this?
Notable sequences/things:
- stop motion zombie rat
- Lionel’s mother falling apart
- fight scene between zombies and the priest, in which he “kicks ass for the lord”
- Lionel taking a zombie baby to the park, attempting to play with it like a normal baby, and ultimately body slamming it into the ground, shoving it in a bag and leaving.
- every single thing that happens in the last 30 minutes, it’s perfect
- also every single use of practical body horror throughout
ALSO there’s no way that the director of The Substance was not heavily influenced by the end of this.
This is an example of a secret midnight screening gone horribly wrong.
This movie went so far beyond “watch it with your friends” kind of bad, and didn’t circle back to “so bad it’s good” territory.
It just kept going to in a straight line for another couple miles until it got to “I would rather close my eyes and try to sleep than let my brain absorb this film”
1/2 star for the fact that Sierra didn’t come with me and at least one of us can say they haven’t seen The Necro Files.