Haunting, and still fresh. Understandably more linear and focused than Popiół i Diament.
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EO 2022
There is something moving about positioning an animal as a protagonist, perhaps because of the faux-interiority and individuality achieved by placing a camera on him (?) for ninety minutes.
Kept making me think of Tokarczuk's Drive Your Plow Over the Bones of the Dead. In both works, you could feel the just-barely-contained anger and indignation and aching, but also the beauty.
Shout out to the "Anarchy rules!" dude.
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