It’s as if Goddard himself is an omnipresent character in his own films and I love him for it
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Peter von Kant 2022
Character study on how manipulation, deception, and desperation disguises itself as love and how easy it can be for many to confuse the two. A drunken insecure gay director who’s obsessed with vanity mistakes his infatuation with a young actor wanting to break into the industry with genuine love, when in actuality was only ever one sided.
This was definitely very campy and over the top, but underneath something that felt very true to human nature and relationships, how at…
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