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Life, and Nothing More… 1992
"And Life Goes On" - as the title strongly suggests a sense of continuation - situates itself as part of Kiarostami’s ongoing dialectic. This time around, he literally pairs his interests of meta-cinema with the quests of child protagonists as he weaves real life events of the 1990 Iranian earthquake into a soulful exploration of film, fiction, and life itself.
In keeping with most of his other work, Kiarostami offers a view of the human condition that’s deliberately unfinished - a humanist outlook at odds with so much suffering in the world - offering the most poignant blend of misery and optimism.FULL WRITE-UP HERE:
www.danielbstein.com/post/a-slice-of-kiarostamiTranslated from by -
