Max

Max Pro

Favorite films

  • The Lord of the Rings: The Return of the King
  • Big Night
  • Three Billboards Outside Ebbing, Missouri
  • Joint Security Area

Recent activity

All
  • Black Bag

    ★★★★

  • Night of the Living Dead

    ★★★½

  • Black Bag

    ★★★★

  • The Texas Chainsaw Massacre

    ★½

Recent reviews

More
  • Night of the Living Dead

    Night of the Living Dead

    ★★★½

    Really cool to see how many tropes of modern zombie storytelling and creature design can be traced to this film. The story was pretty lackluster and it suffers from the Men Yelling At Each Other syndrome that plagues so many older horror/disaster movies that are otherwise pretty compelling, but overall it’s fun to watch a little bit of history

  • Black Bag

    Black Bag

    ★★★★

    This being my third Soderbergh film after never having explored his filmography until recently, I’m struck by how compact and fluid his plots are and the mastery he has of genre conventions without being stifled by them. Black Bag is no different, a contraption of perpetual motion which hits all the beats of a spy thriller and relational drama, sacrificing neither of them in favor of the other. This may be where it breaks down the most for me –…

Popular reviews

More
  • Chicken for Linda!

    Chicken for Linda!

    ★★★★★

    Has to go down as a top movie of 2024, not least for the scene where a love-struck French guy steals a cop’s gun 

    A breakneck ride with delectable animation, at times mind-bending and intricate, at others soul-crushingly tender and simple. Every visual detail of this is given its due diligence – the distant characters and objects enveloped by bubbles which shift and grow with them, evoking the power of memories and the inevitable singularity within which we navigate our…

  • The Texas Chainsaw Massacre

    The Texas Chainsaw Massacre

    ★½

    This gets the award for worst color palette ever. Such a drab and boring reimagining of a defining horror film. The remake has none of the courage to linger on the grotesqueness of its setting or subjects, none of the necessary intelligence to situate those subjects in a compelling or even humanizing arrangement; It doesn’t understand the complexity of its villains and their own victimization at the hands of industrialization and organized abandonment – instead, it portrays them as consciously…