"For fucks sake if there's no mickey, this shit ain't disney"
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Adolescence 2025
A devastating and heartwrenching miniseries.
Philip Barantini and Stephen Graham return to deliver a powerful piece of television that raises many tough questions. Exploring how a young boy's environment can mold them into something terrifying. We follow the boy, his family and the police and are given mutiple persepctives of this tragedy. This isn't a mystery about who committed a crime; rather a question as to why he did it.
The cinematography is an incredible feat as it consists of…
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Thelma & Louise 1991
An empowering feminist road trip that is both hilarious and bittersweet.
Ridley Scott and Callie Khouri have crafted a dark but exhilarating tale of two women who seek to be free. Scott's direction is stylish and reserved; paired beautifully with Khouri's hilariously, poignant script that makes this both a timeless classic and a fantastic exploration of femininity and friendship.
The cinematography is both moody and slick. The noir style incorporated in its lighting and shots juxtapose nicely against the rural…
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I'm Still Here 2024
A staggeringly, devastating film that tore me into little pieces.
Walter Salles does a fantastic job of mirroring the audience to the Paiva family. We spend a considerable amount of time watching them bicker, laugh and smile that you practically become a part of the family. Only for the rug to be pulled right from under us and thrown into a confusing and harrowing situation alongside them.
The cinematography is a little conventional at times but does a great job…
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The Substance 2024
SFF '24: #10
A disgustingly visceral and razor-sharp satire on our obsession with body-image.Coralie Fargeat's sophomore feature absolutely knocks it out of the park. With influences from Kubrick, Cronenberg and Carpenter; she delivers a fantastically grotesque body horror. All whilst exploring the disturbing reality of how the entertainment industry (particularly men) cause irreparable damage to women's bodies and society's perception on beauty.
The cinematography is both inventive and disorienting. Uncomfortable close ups, long wide shots and tense handheld movement…
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