The existence of this film feels like a miracle. The universe conspired for this film to exist as an ode to cinema, resistance, poetry and spirit of resilience. This film, is like the rose that activist-lawyer Nasrin gives Panahi in his film Taxi dedicating it to the people of cinema. This film is a rose. Sreemoye’s own presence in this deeply felt personal document disarms the people she meets along the journey to reveal their both joyous and painful self.
