It seems that Harmony Korine has the natural talent of portraying modern times perfectly, as seen in Spring Breakers and keeps showing it off on this one. If he keeps going on this track then he'll reach a new level of "vulgar auterism" (for the lack of a better label), and due to the divisive reception which the director is not stranger of, a label like that could be used as pejorative or as positive.
Also, the score from Burial…