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Salò, or the 120 Days of Sodom 1975
It's such a shame that Pier Paolo Pasolini as a poet and director is hardly ever taught in italian school, with a bit of research into his character you slowly start to put the pieces of context together and realize how eerie, hopeless and sadly, realistic, his views were. It's a fucked up world we live in and seeing how as of late the most powerful people in the world are supporting/orchestrating inhumane and disgustings events such as the genocides in Congo and Palestine just makes me relate to Pasolini's views even more.
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