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Megalopolis 2024
Has the extended tone deaf soapboxing of a Neil Breen film and the unmistakably artificial presentation that results from an auteur being too comfily in control that so colors the prequel trilogy. Some of the most atrocious dialogue I’ve seen in a film this ambitious and, paired with the excessive and often dubious aesthetic decisions which do not relent across its near 140-minute runtime, a sort of joyous delirium sets in. And I did find that delirium stimulating and entertaining,…
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