Screenwriting. Acting. Books. Horror. Cosplay. Marvel. Wrestling. LEGO. INFP. Owner of Envizion Wrestling.
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Hostel 2005
Ooey, gooey, and not doing any favors for European tourism, Hostel was Eli Roth’s follow-up to Cabin Fever that looked to up the carnage from his first film. Most of the characters are obnoxious, true, but once the blood gets spurting, you feel for these poor bastards in their final agonizing moments. You’re gonna need an iron stomach to get through the nastier bits, and gratuitous sex and nudity better not bother you. If those aren’t dealbreakers, you might find yourself squealing in morbid delight at all the blood-soaked sights that Mr. Roth has to show you.
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The Boondock Saints 1999
The Boondock Saints is kind of an odd one, so uneven and garish with its violence yet difficult to stop watching due largely to Willem Dafoe’s zany performance. Yeah, his character might not be the portrait of positive LGBTQ+ representation, but he’s just so over the top that he’s irresistible. He overshadows Sean Patrick Flanery and Norman Reedus as the titular brothers who take it upon themselves to eradicate evildoers from the streets of Boston. The movie hasn’t aged great but there’s an energy to it that’s undeniable, and that on its own earns this one a recommendation.
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Predator 1987
Predator drips with 80s machismo, featuring Arnold in peak performance. He takes on an eight-foot-tall intergalactic bounty hunter slicing and dicing its way through his mercenary teammates, and the results are spectacularly bloody. It’s basically a sci-fi slasher as well as one of the greatest action films ever made. The movie was hell to produce (ditto for its sequel), so you really have to give it to John McTiernan and his crew for turning this into a classic of its genre. And the creature effects still looks so cool.
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Pulp Fiction 1994
What can I write about Pulp Fiction that hasn’t already been said countless times over the last thirty years? This classic has withstood the test of time as one of the most iconic films of the 1990s (if not THEE most iconic). It’s Tarantino firing on all cylinders; everything is in its correct place, from the acting to the cinematography to the music. It’s a must-see for anyone who claims to be a cinephile, one of the best films ever made, worthy of unlimited rewatches.
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