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The Sealed Soil 1977
slow cinema can be really hit or miss for me, but this one scratched that itch. it makes its pacing clear from the start, which imbues the film with a sense of intentionality. i think the akerman parallels are apt, and i can see this as a precursor to the slow cinema of the iranian new wave too
i’m not sure how i feel about the retrospective canonization of this film in iranian cinema history (although i am certainly not the one to be making those decisions). since it was basically forgotten in its time and never screened in iran, it occupies an interesting position
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Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles 1975
hits different in the quarantine
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