Henry Fonda being dressed in all white, unravelling Cobb until convincing him otherwise and then dressing him back into his black suit is perfect symbolism. A man beset in his ways, vulnerable and opened up but eventually clad back up and hidden again by simply just another man who only in this instance is a juxtaposition: an angel playing the devils advocate. Reminds me of John Grishams ‘A Time to Kill’. Perfect.
Favorite films
Recent activity
AllRecent reviews
MorePopular reviews
More-
-
The Substance 2024
The pursuit of other people’s ideas of absolute beauty only ever ends one way, disgustingly brilliant.
Translated from by
