“Oh man, after Ke Huy Quan’s Oscar-winning work in Everything Everywhere All At Once, I’m so ready for his comeback. Hopefully he’ll get to star in his own action movie soon!”
**the Monkey Paw’s finger slowly curls…**
“Oh man, after Ke Huy Quan’s Oscar-winning work in Everything Everywhere All At Once, I’m so ready for his comeback. Hopefully he’ll get to star in his own action movie soon!”
**the Monkey Paw’s finger slowly curls…**
I never bothered with the recent LOONEY TUNES CARTOONS shorts - I actually did hear decent things about them, but I was still really wary given how dreadful some of WB's other efforts to update LOONEY TUNES in recent years had been (stuff like that LOONEY TUNES SHOW sitcom in 2011, NEW LOONEY TUNES in 2015, and, worst of all, the truly atrocious LOONATICS UNLEASHED in 2005). Every time I had dipped into any of those and given them a…
SHIN C-SPAN, is what they should have called this turd.
If "bureaucracy porn" was a genre, this would be its masterpiece. It's essentially two hours of watching roughly 500 different characters hold a series of meetings, in which they mostly discuss scheduling future meetings. Every half hour or so, the filmmakers remember this is a Godzilla movie, and finally cut back to perhaps the most boring interpretation of the character ever, one that just slowly walks in a straight line…
If you know me, you know that zombie movies are my jam. Always have been, probably always will be. Though, like anyone else, my engagement level with the sub-genre has ebbed and flowed. During the '90s, I eagerly sought out and devoured every zombie movie I could get my hands on. This continued into the 2000's...for a time. In the mid-'00s, I reviewed 31 different zombie movies every October, four years in a row, for a website I wrote for.…