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Safe 1995
it’s been 5 days since i watched Safe, and it’s still with me - a testament to Todd Haynes unique ability to haunt the audience long after credits roll. in the Q&A following the screening, Haynes described how he purposefully wanted to accentuate the space between screen and viewer. this creates an aching sensation that compels you to physically lean forward. this unsettling dynamic, combined with the film’s deliberate pacing, has left me feeling exposed and strangely out of sync…
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Maria 2024
mesmerizing doesn’t even begin to describe it. the production design is rendered with such impeccable care - listening to Guy Hendrix Dyas and Pablo Larraín describe their pilgrimage for Maria’s personal effects—and even the famed yacht of Aristotle Onassis—was humbling
in one of my favorite scenes, Maria’s walk through Paris leads her to an ensemble performing in the rain, a detail so lovingly orchestrated & underscores how fervently this team cherishes every frame
as for Angelina Jolie, her presence here is…
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Longlegs 2024
haven’t been in a theatre that laughed out loud this much since bridesmaids 10+ years ago.
kept anticipating the moment this would become scary and am now convinced this was a marketing social experiment by NEON which i suppose is scary in itself. more campy then creepy.
highlighted only by eerie atmospheric shots & 70s design & my new crush maika monroe
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