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The Double Life of Véronique 1991
“Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth…
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In the Mood for Love 2000
This review may contain spoilers. I can handle the truth.
Wong Kar-Wai's filmography is essentially built on his aesthetics and how they drive into two topics that reunite his three biggest movies —Chunking Express, Fallen Angels, and the subject of this review—: loneliness and love.
Each movie encompasses their concerns with different schemes; Fallen Angels uses soliloquies constantly due to the inexpressiveness of its cast with themselves (they even have a mute character to express this point). And though it's an aesthetic choice to explore diverse ways to unveil a…
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Memories of Murder 2003
Favorite movie ever, there's no enough words to describe my utter love to this film. One of a kind
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