I. Marco Tullio Giordana
II. Hirokazu Kore-eda
III. Thomas Vinterberg
IV. Paolo Sorrentino
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Taxi Driver 1976
Lonely, without status, and with no perspective of a better life, Travis is angry at the world. He is unable to fit in, he does not follow society's social norms, and he is rejected by the world around him. He is sad and lost, but these eventually turn into anger.
Struggling to cope with his feelings, Travis eventually fully spins out of control. At last, this culminates in an extreme outburst of violence. He has lost it, but he had…
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Hill of Freedom 2014
It was only very late into the film that I discovered that the film was not told in chronological order. Instead, we see Mori's adventures through the eyes of Kwon, who is reading Mori's letter in a random order, since she dropped them and they got all mixed up.
I guess I was too tired to notice, but I really want to see it again knowing it is consciously structured in such a way. As always, Sang-Soo's film are sweet,…
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TÁR 2022
An empty shell, bearing no meaning, art, or joy. Worst movie I have seen in my life. Besides the headline topic of transgressive behaviour, there is little of interest to catch your attention. The atmosphere in the movie is very sterile, cold, and lifeless throughout. And while that may be a conscious choice, the movie utterly failed to move me in any way. Would not recommend at all.
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Nope 2022
Nope, not for me. Maybe this is what defined the horror-genre, if you can call it that in the first place, but it just was not my cup of tea. The film contained no real substance, the story was not at all able to move or excite me - or maybe it did excite me somewhat, but without additional meaning.
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