the ending was so beautiful it made me sob uncontrollably yet again.
the rest of the film feels like its presenting as if though most of her suffering came from men and unfulfilled desire for love, but we all know there's so much more to her than just that
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Mildred Pierce 1945
great and terrible at the same time, filled with cliches, full of melodrama, a typical 40s noir with some top tier cinematography and directing, at times very banalised and rushed, awfully racist, but feminist af
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