Favorite films
Don’t forget to select your favorite films!
Don’t forget to select your favorite films!
this was my second time watching this film. this time i noticed how instantly you understand yourself to be watching jeanne dielman’s routine. her way of moving casts routine into every gesture: the sharpness, decisiveness, everything set back in its place as soon as it is out of use. this remarkable body schema of hers is what seems to close the gap between real time—less than 2 days of a woman’s life—and cinematic time: we feel like we have been…
this is a movie about longing NOT love. loved the last scene which has no other pretenses
obsessed with the shift between the first and second act of this film, a transformation that has to do with the coordination of fantasy, genre, class, and the way that class interacts with our perceptions of historical time. judy is gorgeously modern because she’s lowbrow, like the green neon light saturating her hotel room. john’s insistence on repeating the fantasy of the first act within this different genre/era becomes the new engine of horror in the film: his compulsion replaces the hacky ancestral curse while retaining its sense of malevolence and ineluctable destruction!