Honestly this film is clearly the blueprint for psychological thrillers, so so many facsimiles of it have been made--Gone Girl for instance, but none of them come close to the mastery with which Haneke made Caché, how he manages to make a film this long so riveting without it bordering on superfluity is beyond me. I feel like the reason Georges' suspicions were pointed to Majid was because he always thought that the lies he told about Majid were worthy…
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Three Colours: Blue 1993
I feel like the score/musical aspect of the film was a plot line in and of itself, I love how the story just gradually unraveled with the music, but it wasn't as moving as I expected it to be, there were some scenes that felt a bit out of place.
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The Doom Generation 1995
The nihilistic themes (bordering on absurdism) were evident but what good is it if the failed attempts at giving the film “shock value” were inherently meaningless ? It’s so redundant I couldn’t even continue the entire 80 minutes. The soundtrack is good though.
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L'Eclisse 1962
Antonioni is such an artist, a true genius—this film still stands the test of time. To me, the ending is proof of how out-of-touch with reality Vittoria and Piero are. Piero’s only passion is money, he is the personification of capitalism—and he only escapes or distracts himself from this consuming passion through Vittoria. He does not love her, at least not with the fervor his love for money has. She is a world he can escape to when his world comes…
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