One of the most divine cinematic endings ever
“In my trial of Joan of Arc I have tried to avoid “theater” and “masquerade”, but to arrive at a non-historical truth by using historical words”-Robert Bresson
One of the most divine cinematic endings ever
“In my trial of Joan of Arc I have tried to avoid “theater” and “masquerade”, but to arrive at a non-historical truth by using historical words”-Robert Bresson
A woman sits in her room. She is young and fresh out of a breakup, and she is emotionless. She lives in darkness and exists through ink. Occasionally she gets up and moves, or looks at herself, or writes, or eats sugar. She undresses and walks around in her corridor sized room. She lives amongst walls, amongst her sparse possessions, within her soulless body. She is an alien, she does not exist in reality. Sometimes she simply lays on the…
Gena Rowlands probably puts on the best performance in the history of film in this. I can’t gather words right now for this, just so beyond breathtaking in every regard wow.
First film of the year is one of the last three feature films I haven't seen yet seen from Apichatpong Weerasethakul. I've honestly gotten in the mindset that I must save his films to watch on a special occasion or when I'm in a specific mindset that feels right for one of his films, that's how special and unique his creations are too me. Cemetery of Splendor is about a lot of things, and like all of Weerasethakul's films, it's…