It’s award season, and that means we’re in for a good old fashioned cry. Maybe it’s because its winter, and most of us are teetering on tears already, but I love a healthy bit of waterworks at the cinema this time of year. For this cold-hearted monster, it’s the greatest compliment I can give a film, and I’m always grateful to get my weeping done in a nice dark room rather than the self-checkout at Morrisons.. again.
This year’s tearjerker…
Elvis has had a bit of a renaissance the last couple years. Incited, undoubtedly, by the Baz Lehrmann biopic that had Austin Butler in the spotlight. Now, Sofia Coppola looks to shift the focus to one of the most important figures in the King’s life, and an icon of the 20th century unto herself, wife Priscilla Presley. We already know Coppola likes her female historical icons from Marie Antoinette but here, rather than giving away fully to decadent imagery and…
