ogbert the nerd
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Gaga: Five Foot Two 2017
accidental flop era doc trying to rescue gaga from the damnation of a crowdsourced npd diagnosis
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Magnificent Obsession 1954
forgive me for speaking ill of the dead but there’s something eerily on the nose abt rock hudson playing a character who lies abt his identity, gives ppl large sums of money, and demands they keep quiet
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Beyond a Reasonable Doubt 1956
if this were available on streaming it’d be a new comfort watch
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Tea and Sympathy 1956
introducing this next week—wednesday the 19th at 8—for queer cinema club at the paradise in toronto, tickets here!
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The Substance 2024
1. Switch out Coralie Fargeat’s name in the credits with Ryan Murphy’s and I’d believe it. Fargeat has a similar allusive instinct to Murphy. They reference the same writer/directors (Lynch, Kubrick, Mankiewicz, Wilde, Hitchcock—surprisingly very little Cronenberg influence here) merely as intertextual commentary (or just for superficial amusement/manufactured legitimacy) as opposed to synthesizing a unique syntax from those references. This approach is most evident in the third act. When the Vertigo score plays over Monstro ElisaSue painting her face, we’re…
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