Academic Journals by Patricia Silva
Portuguese Literary & Cultural Studies , 2023
Review of Anthology of Portuguese Poetry
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Pessoa Plural—A Journal of Fernando Pessoa Studies, 2018
This essay explores the impact and influence of the Symbolist theatre and, in particular, of the ... more This essay explores the impact and influence of the Symbolist theatre and, in particular, of the dramas of Maeterlinck and Villiers de L'Isle-Adam, on Fernando Pessoa and W.B. Yeats. It examines the way in which the principles underlying the theatre produced by those playwrights and that movement met with the aesthetic aspirations and philosophical inclinations of the two poets, which led them to engage with those principles and their enacting dramatic devices in their poetic drama. It also analyses points of contact between their works and works by those playwrights, their critique of their practices and efforts to surpass what they perceive as being their limitations and to make original contributions to the development of that strain of Symbolist theatre in the twentieth century. Palavras-chave Fernando Pessoa, O Marinheiro, Drama Estático & Extático, Yeats, Synge, Maeterlinck, Villiers de L'Isle-Adam, Teatro Simbolista. Resumo Este ensaio explora o impacto e a influência do teatro simbolista e, em particular, dos dramas de Maeterlinck e de Villiers de L'Isle-Adam, sobre Fernando Pessoa e W.B. Yeats. Examina a forma como os princípios subjacentes ao teatro produzido por aqueles dramaturgos e aquele movimento foram ao encontro das aspirações estéticas e as preocupações e inclinações filosóficas de ambos os poetas, o que os levou a dialogarem com esses princípios e as suas estratégias de encenação nos seus dramas poéticos. Analisa, igualmente, pontos de contacto entre as suas obras e com as obras daqueles dramaturgos, a sua crítica das práticas que aqueles desenvolveram e esforço para ultrapassar o que percebem ser limitações e para oferecer contribuições originais para o desenvolvimento dessa linha de teatro simbolista no século XX.
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Cadernos de Literatura Comparada, 2011
This article examines the phenomenon of ekphrasis from an intergeneric comparative approach, cent... more This article examines the phenomenon of ekphrasis from an intergeneric comparative approach, centring on the study of Jorge de Sena’s Metamorphosis (1963) and José Saramago’s Manual of Painting and Calligraphy (1977). Although the reception of aesthetic objects in these works results from visits both writers made to museums and monuments of European cities, Sena’s ekphrastic poems and Saramago’s ekphrastic prose are not mere exercises of aesthetic appreciation but meditations on the historicity of human materiality elicited by the contemplation of the museological and architectural heritage. The type of ekphrasis practised in Metamorphosis and in Manual of Painting and Calligraphy stems from an inquisitive itinerant gaze that continuously transfigures reality, transgressing the conventional descriptivity of this rhetorical device. The ekphrastic practices of Sena and Saramago consist of analogous strategies of ontological inquiry which question personal, autobiographical memory and collective cultural memory, while also performing a meta-textual role by setting the trajectory of what Saramago calls the ‘voyage of writing’.
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Pessoa Plural—A Journal of Fernando Pessoa Studies, 2017
Created by a group of practically unknown young writers and artists, when it appeared in 1915, O... more Created by a group of practically unknown young writers and artists, when it appeared in 1915, Orpheu caused a scandal of significant proportions for a literary phenomenon, and the striking echoes in the mainstream press ensured its notoriety well beyond the moment of publication. The extent to which this outcome was planned or the result of chance circumstances is discussed in this essay, which reappraises the contemporary reception of Orpheu in the light of new findings yielded by the Távora archive, namely two notebooks with cuttings of press reviews kept by Alfredo Guisado. By considering these, the article reviews the latter’s role in the making of the Orpheu’s critical fortune. Guisado was one of the few authors associated with Orpheu who had published works before the magazine appeared. Through his early association with the mentors of the magazine, he was also one of the first members of the Orpheu group to write under the influence of the poetics that became associated with it. Therefore, his works document the tenor of the movement that was established through Orpheu, which will be revisited through the analysis of the manuscript of a poem — thought to be previously unpublished — found among Guisado’s papers in the Távora archive.
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Pessoa Plural—A Journal of Fernando Pessoa Studies, 2017
Considering the literary and artistic production of key figures from the Orpheu generation, this ... more Considering the literary and artistic production of key figures from the Orpheu generation, this essay examines their transnational links to counterparts in the European avant-garde through acquaintance and epistolary networks. More specifically, it does so by focusing on the intersections between literature and the visual arts in works by writers and artists and the periodicals in which they published between 1915 and 1917, to argue that their aesthetic hybridity reflects the experimentalism in the arts of this period animated by the goal of creating “the total work of art”, which is central to European modernism and actively practised by the Portuguese modernists.
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Pessoa Plural - A Journal of Fernando Pessoa Studies, 2016
Emphasizing Pessoa's dual cultural heritage, this essay traces the poet's exposure to English lit... more Emphasizing Pessoa's dual cultural heritage, this essay traces the poet's exposure to English literature and culture from a young age, notably through schooling and directed readings during his formative years. Particular attention is paid to the impact of romantic poets from the pantheist lineage of Shelley and Blake on Pessoa's emergent poetics and poetry, as well as to the hitherto little-known details of his reception of Blake's poetry mediated through Yeats. These facets of their works surface in the transcendental pantheism expressed in the poems collected in The Mad Fiddler, an unpublished collection of English poems written between 1910 and 1917. A laboratory of the maturing process in Pessoa's poetry, I contend that this collection rehearses analogous aesthetic and philosophical ideas in his poetry in English to those he was developing in Portuguese, namely Sensationism and the Portuguese Neopaganism with which the heteronyms were associated, arguing through close readings of illustrative poems.
Resumo Enfatizando a dupla herança cultural de Pessoa, este ensaio delineia a exposição do poeta à cultura e literatura inglesas desde uma tenra idade, nomeadamente por meio da escolaridade e leituras direccionadas nos seus anos formativos. Particular atenção será dada ao impacto de poetas românticos da linhagem panteísta de Shelley e Blake sobre a poesia e poética emergentes de Pessoa, bem como aos detalhes da sua até à data pouco conhecida receção da poesia de Blake por intermédio de Yeats. Estas facetas das suas obras estão patentes no panteísmo transcendental expresso nos poemas de The Mad Fiddler, uma coleção inédita de poemas ingleses escrita entre 1910 e 1917. Enquanto laboratório do processo de amadurecimento na poesia de Pessoa, defendo que esta coleção ensaia ideias estéticas e filosóficas na sua poesia em inglês que são análogas às que estava a desenvolver em português, nomeadamente o Sensacionismo e o Neopaganismo português ao qual os heterónimos estavam associados, argumentando por meio da análise de poemas ilustrativos.
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Portuguese Literary and Cultural Studies: Fernando Pessoa as English Reader and Writer, 2015
This essay argues that Fernando Pessoa played a key role as a cultural mediator between English a... more This essay argues that Fernando Pessoa played a key role as a cultural mediator between English and Portuguese modernist movements, presenting new findings about the importance of literary and cultural magazines for his reception of English Modernism. An examination of sources present in Pessoa’s archive, mentioned in his writings on modernist aesthetics and correspondence or relating to works in his private library, shows that Pessoa was familiar with important cultural magazines published in London in the rst decade of the twentieth century. Additionally, such an examination traces Pessoa’s reception of writers, works, and movements featured in English magazines from the 1910s, and analyzes his engagement with the British avant-garde in his critical writings and literary production for Portuguese magazines.
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Pessoa Plural - A Journal of Fernando Pessoa Studies, 2014
It is a known fact that throughout his life Pessoa was interested in and conversant with an array... more It is a known fact that throughout his life Pessoa was interested in and conversant with an array of esoteric currents and doctrines. Underpinning that interest was a marked tendency to a form of symbolic thinking encapsulated in the lines " […] my thinking is condemned / To symbol and analogy " from a 1907 poem by the incipient heteronym Alexander Search, which recur in a fragment from 1932 of the dramatic poem Fausto. Pessoa's continued symbolic thinking, informed by copious readings mainly in Western Esotericism, allowed him to develop a creative hermeneutical approach to esoteric epistemologies. This essay will be concerned specifically with Pessoa's conception of the mystical significance of geometrical forms, arguing that they not only enriched the figurative expressiveness of his poetry but also played a crucial role in his formulation of a poetics of Sensationism. Pessoa's use of geometric imagery will be considered in the context of the fascination with sacred geometry and exploration of its aesthetic potential displayed by other modernists, like Yeats and Pound, and by avant‑garde movements from the early XX th century which were also driven by analogous concerns, such as Futurism, Vorticism, Cubism, Expressionism and Suprematism.
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Colóquio/Letras, 2015
O modernismo nestas duas publicações, análise e exemplos. Aproximação por representarem formas co... more O modernismo nestas duas publicações, análise e exemplos. Aproximação por representarem formas comparáveis de resistência a correntes hegemónicas, bem como estéticas autóctones do sistema; perceção da marginalidade no campo cultural: «marcar e agitar». Os «ismos» e suas características. Distinção das obras por movimentos. Paralelismo com ‘Blast’, por via dos processos: Wyndham Lewis e Ezra Pound precedem o Vorticismo e a linha vitalista do futurismo; renascimento cultural. A ‘Blast’ reclama o Modernismo para Inglaterra. A hibridização estética entre as duas publicações sublinha as singularidades socioestéticas do movimento.
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Pessoa Plural - A Journal of Fernando Pessoa Studies, 2017
Número especial "Modernismos portugueses 1915-1917: Contextos, Facetas e Legados da geração Orphe... more Número especial "Modernismos portugueses 1915-1917: Contextos, Facetas e Legados da geração Orpheu", editado por mim e pelo Steffen Dix, que propõe uma "sociografia" da geração de Orpheu, que traz ao proscénio sob nova luz atores conhecidos e menos conhecidos do meio cultural português do início do século XX e as suas ligações transnacionais, e que examina diversas manifestações culturais da época duma perspetiva interdisciplinar.
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Pessoa Plural - A Journal of Fernando Pessoa Studies, 2017
DOI: https://doi.org/10.7301/Z02J6923
Date Issued: Spring 2017
In revisiting the historical ... more DOI: https://doi.org/10.7301/Z02J6923
Date Issued: Spring 2017
In revisiting the historical circumstances and material culture of the generation of Orpheu, this special issue is largely driven by a historiographical aim of reconstructing the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of ‘sociography’ of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field [...] In considering that the modernism of the generation of Orpheu is not satisfactorily explained solely through an aesthetic critical lens, contributions to this issue draw on concepts which originate in the social sciences and are predominantly used in the field of cultural studies, such as internationalization, transnationalism, cosmopolitanism, materialization or synthesis.
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Books by Patricia Silva
Rethinking Peripheral Modernisms, 2024
This essay traces the reception of and reaction to mainstream European Avant-Garde Cubism and Fut... more This essay traces the reception of and reaction to mainstream European Avant-Garde Cubism and Futurism in Brazil, which coincided with the emergence of Brazilian Modernism, officially launched with the Modern Art Week of São Paulo in February 1922. According to Benita Parry’s characterization of postcolonial peripheral modernisms, the extent and intensity of the asymmetries between modernism and modernity in those contexts engenders cultural production with a heightened degree of formal complexity and stylistic heterogeneity. This essay appraises the representation and critique of asymmetries arising from uneven modernisation and cultural (neo)colonialism in modernist poetry, manifestos and visual works produced by three key figures of the first Brazilian modernism, Mário de Andrade, Oswald de Andrade and Tarsila do Amaral, as case studies of the dynamics of aesthetic modernism in a peripheral postcolonial context. The first section examines the dialogic relationship between Mário’s Paulicéia Desvairada [Hallucinated City] (1922) and Italian futurism, arguing that this inaugural poetry collection can be regarded as a paroxystic response to the accelerated modernisation of São Paulo in the first decades of the twentieth century and a critique of the ‘coexistence of realities from radically different moments of history’ characteristic of what Jameson calls an ‘uneven moment of social development’. The multiple temporalities attendant on peripheral modernisms are also represented in Tarsila’s paintings from 1923-24 and in Oswald’s poetry collection Pau-Brasil [Brazilwood] (1925), both of which rehearse Cubism in a Brazilian context by incorporating cosmopolitan and indigenous cultural and formal elements. The concluding section appraises two key cultural texts of the first Brazilian modernism, Oswald’s ‘Manifesto da Poesia Pau-Brasil’ [Brazilwood Poetry Manifesto] (1924) and ‘Manifesto Antropófago’ [‘Cannibalist Manifesto’] (1928), as enunciations of a discourse of resistance to European cultural hegemony.
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Aging Experiments Futures and Fantasies of Old Age, 2023
This essay examines Clarice Lispector's experimentation with focalization, through stream of cons... more This essay examines Clarice Lispector's experimentation with focalization, through stream of consciousness, with characterisation and with modal devices-ranging from the naturalistic to the incongruous and uncanny-to explore alternative representations of aging and old age; notably, adverse ones, which foreground both risk, vulnerability, and empowerment. It does so by analysing fictional representations of the unsettling experiences of ageing in short-stories from her 1974 collection, Onde estivestes de noite (Where Were You at Night), namely "A Procura de uma dignidade" (The Search for a Dignity) and "A partida do trem" (The Train's Departure). Drawing on Julia Kristeva's delineation of abjection in Powers of Horror: An Essay on Abjection, I argue that in these works the Brazilian author engages with the binomial association between old age and the abject body-playing on the received notion of abject as "a person, or their behaviour, completely without pride or dignity" (OED)-to redress the dichotomy between dignity and abjection and test their semiotic limits in positing an embodied sublime.
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A Investigação e a escrita: Publicar sem Perecer, 2021
This essay offers a critical reflection based on the experience of planning and facilitating the ... more This essay offers a critical reflection based on the experience of planning and facilitating the modular unit «Diverse practices for preparing doctoral students for the world of international academia», part of the «Publish not Perish: Survive the Stampede» training cycle promoted by the Centre for Social Studies (CES) of the University of Coimbra. It addresses questions pertaining to advanced research training, particularly at doctoral level, related with particularities of scientific communication in an international context and from an intercultural and plurilingual approach. The exposition of the objectives, structure and contents of the training session, and of specific developments resulting from its facilitation, is accompanied by considerations about the theoretical framework of its underlying concepts, namely advanced capacitation and intercultural scientific communication — both because of their direct relation to the objectives that informed the unit’s elaboration and for their self-reflexive potential, as well as that of adding pedagogical value to supplementary research training.
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Congresso Internacional José Saramago: 20 Anos com o Prémio Nobel, 2020
One of the most famous and translated novels by José Saramago, Ensaio sobre a Cegueira (1995), wa... more One of the most famous and translated novels by José Saramago, Ensaio sobre a Cegueira (1995), was adapted for the screen by the award-winning Brazilian director Fernando Meirelles as Blindness (2008). This paper aims to explore the inter- textual relationship between the two works, arguing that the intertextual link between them lies, to a great extent, on the intertextual relationship that both of them establish with certain works of art evoked in the novel. It posits that the form of intertextua- lity practiced in the novel and in the film relies on an expressionist aesthetic which aims to truthfully represent the apocalyptic aspect of dystopian experiences, such as the blindness epidemics and the subsequent disintegration of society, based on the specific techniques of each media. The roots of this intertextual practice are traced to Manual de Pintura e Caligrafia (1977) – Saramago’s “attempt” at an autobiographical novel whose protagonist, a portrait painter, declares his preference for a polemical and radical expressionist style – to demonstrate that, similarly to that work, the style and intertextuality in Ensaio sobre a Cegueira take on a hyper-realist expressionism in accordance to the themes addressed. Therefore, in his avowed intention to faithfully transpose the novel, Meirelles resorts to analogous expressionist techniques, along the lines of the naturalist hyper-realism of his City of God (2002). Additionally, in Blind- ness he recreates on fílm the works of art which inspired Saramago’s reflection on issues of mimesis and simulacrum underlying the parable of blindness, underscoring in that way the dialogue with the Portuguese writer’s essay-novel and attempting the same metanarrative reflection in another media.
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Inside the Mask: The English Poetry of Fernando Pessoa, 2018
Emphasizing Pessoa's dual cultural heritage, this essay traces the poet's exposure to English lit... more Emphasizing Pessoa's dual cultural heritage, this essay traces the poet's exposure to English literature and culture from a young age, notably through schooling and directed readings during his formative years. Particular attention is paid to the impact of romantic poets from the pantheist lineage of Shelley and Blake on Pessoa's emergent poetics and poetry, as well as to the hitherto little-known details of his reception of Blake's poetry mediated through Yeats. These facets of their works surface in the transcendental pantheism expressed in the poems collected in The Mad Fiddler, and unpublished collection of English poems written between 1910 and 1917. A laboratory of the maturing process in Pessoa's poetry, I content that this collection rehearses analogous aesthetic and philosophical ideas in his poetry in English to those he was developing in Portuguese, namely Sensationism and the Portuguese Neopaganism with which the heteronyms were associated, arguing through close readings of illustrative poems.
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Alternative Worlds: Blue-Sky Thinking since 1900, 2015
This chapter focuses on utopian and dystopian aspects of Brasília in an analysis of selected cult... more This chapter focuses on utopian and dystopian aspects of Brasília in an analysis of selected cultural responses to the city since its inauguration in 1960. The brainchild of architects Lúcio Costa and Oscar Niemeyer, Brasília embodied the dreams and hopes of a nation for a modern and democratic society based on order and progress that was the driving force of the Brazilian developmentalist movement of the 1950s. However, as will be shown, its construction exposed the failures of modernist utopian urban planning. The second part of the chapter will focus on the reception of Brasília in contemporary cultural manifestations which represent the city in different media, notably two pieces of literary journalism by Clarice Lispector and a film documentary by Joaquim Pedro de Andrade. Lispector’s ‘crónicas’, ‘Brasília: cinco dias’ (1962) and ‘Brasília: esplendor’ (1974), written when she visited the city shortly after its inauguration and twelve years later. While attempting to construct the city verbally in order to preserve its memory, these texts convey a highly subjective representation of the city and its inhabitants in a quasi-surrealist style which anticipates Lispector’s trademark introspective subjectivism. A parallel goal of archiving a key moment of Brazilian cultural history and critiquing the capital’s dystopian after-life lies at the centre of Andrade’s Brasília: Contradições de Uma Cidade Nova (1967), which addressed the failed dream of a rational organization of society within the framework of the cinema novo aesthetic of counter-culture.
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The Literary and Cultural Reception of Charles Darwin in Europe, 2014
Considered a leading intellectual and the major novelist of his generation, Eça de Queiroz is bes... more Considered a leading intellectual and the major novelist of his generation, Eça de Queiroz is best known for having introduced naturalism and realism to Portuguese literature and has been compared to Flaubert, Balzac and Dickens. The study of the reception of Darwin by Eça de Queiroz is particularly relevant in light of the fact that he resided in Britain from 1874 to 1888, that is, during a period when Darwinism was being intensely debated by all sectors of the society, following the publication of the second edition of the Descent of Man (1874) and of the sixth and definitive edition of the Origin of Species (1876). This chapter will first trace the circumstances of the reception of Darwin by Eça de Queiroz and, subsequently, examine the representation of the English naturalist’s revolutionary theory in Eça’s fictional and non-fictional works. The works under scrutiny include his correspondence, journalistic production and fictional works with particular focus on the novels from his so-called realist period, notably O Crime do Padre Amaro (The crime of Father Amaro) (1876, 1880), O Primo Basílio (Cousin Bazilio) (1878), and to a certain extent Os Maias (The Maias) (1888).
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1915: O ano de ORPHEU, 2015
O estudo renovado da cultura material do modernismo, impulsionado pelos novos estudos modernistas... more O estudo renovado da cultura material do modernismo, impulsionado pelos novos estudos modernistas, tem revelado a importância das revistas literárias e culturais para a circulação de conceitos, práticas e produtos culturais entre grupos de escritores e artistas dentro e fora de fronteiras nacionais. Apelidadas de «pequenas revistas», um epíteto que alude ao seu público reduzido (Churchill and McKible, 2007: 7), estas publicações surgem revalorizadas como ferramentas valiosas para determinar a recepção inicial de textos‑chave do modernismo e examinar as condições locais e materiais que configuraram a emergência da nova estética, em monografias como The Public Face of Modernism: Little Magazines, Audiences, and Reception 1905‑1920 (2001) e volumes de ensaios como Little Magazines & Modernism (2007). Reportando ‑se ao contexto europeu, os editores do terceiro volume de The Oxford Critical and Cultural History of Modernist Magazines (2013) realçam o papel das revistas literárias e culturais na fundação e desenvolvimento do modernismo e da avant‑garde, bem como na articulação e dinamização de trocas transnacionais entre correntes estéticas das primeiras décadas do século xx (Brooker, 2013: 21). A revista inglesa Blast (1914 ‑1915) e a revista portuguesa Orpheu (1915), que examinaremos comparativamente neste ensaio, ...
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Yeats and Pessoa: Parallel Poetic Styles, 2020
W. B. Yeats and Fernando Pessoa (1888-1935) adopted distinct poetic styles to convey different at... more W. B. Yeats and Fernando Pessoa (1888-1935) adopted distinct poetic styles to convey different attitudes towards experience in their poetry. Silva McNeill’s study examines how each existential and aesthetic stance in their poetry was associated with a specific poetic mode and genre such as the pastoral and the epic-heroic, reflecting both individual preferences on the part of the two poets and the tendency of High Modernists to engage with poetic tradition. Moreover, the juxtaposition of disparate (often antithetical) stances in the poetry of Pessoa and Yeats emulated the dialectical method of drama, as did the embodiment of those stances by different personae. These stylistic masks continuously transformed their poetic output, creating a protean lyrical voice that both expressed their multilateral poetic temperament and reflected the depersonalisation of the modern lyric. This study traces the transformations in their poetry from a post-Symbolist style to a multifaceted modern diction, identifying the reception of Yeats by Pessoa and highlighting the affinities in the poets’ adoption of particular stances, genres and personae.
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Academic Journals by Patricia Silva
Resumo Enfatizando a dupla herança cultural de Pessoa, este ensaio delineia a exposição do poeta à cultura e literatura inglesas desde uma tenra idade, nomeadamente por meio da escolaridade e leituras direccionadas nos seus anos formativos. Particular atenção será dada ao impacto de poetas românticos da linhagem panteísta de Shelley e Blake sobre a poesia e poética emergentes de Pessoa, bem como aos detalhes da sua até à data pouco conhecida receção da poesia de Blake por intermédio de Yeats. Estas facetas das suas obras estão patentes no panteísmo transcendental expresso nos poemas de The Mad Fiddler, uma coleção inédita de poemas ingleses escrita entre 1910 e 1917. Enquanto laboratório do processo de amadurecimento na poesia de Pessoa, defendo que esta coleção ensaia ideias estéticas e filosóficas na sua poesia em inglês que são análogas às que estava a desenvolver em português, nomeadamente o Sensacionismo e o Neopaganismo português ao qual os heterónimos estavam associados, argumentando por meio da análise de poemas ilustrativos.
Date Issued: Spring 2017
In revisiting the historical circumstances and material culture of the generation of Orpheu, this special issue is largely driven by a historiographical aim of reconstructing the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of ‘sociography’ of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field [...] In considering that the modernism of the generation of Orpheu is not satisfactorily explained solely through an aesthetic critical lens, contributions to this issue draw on concepts which originate in the social sciences and are predominantly used in the field of cultural studies, such as internationalization, transnationalism, cosmopolitanism, materialization or synthesis.
Books by Patricia Silva
Resumo Enfatizando a dupla herança cultural de Pessoa, este ensaio delineia a exposição do poeta à cultura e literatura inglesas desde uma tenra idade, nomeadamente por meio da escolaridade e leituras direccionadas nos seus anos formativos. Particular atenção será dada ao impacto de poetas românticos da linhagem panteísta de Shelley e Blake sobre a poesia e poética emergentes de Pessoa, bem como aos detalhes da sua até à data pouco conhecida receção da poesia de Blake por intermédio de Yeats. Estas facetas das suas obras estão patentes no panteísmo transcendental expresso nos poemas de The Mad Fiddler, uma coleção inédita de poemas ingleses escrita entre 1910 e 1917. Enquanto laboratório do processo de amadurecimento na poesia de Pessoa, defendo que esta coleção ensaia ideias estéticas e filosóficas na sua poesia em inglês que são análogas às que estava a desenvolver em português, nomeadamente o Sensacionismo e o Neopaganismo português ao qual os heterónimos estavam associados, argumentando por meio da análise de poemas ilustrativos.
Date Issued: Spring 2017
In revisiting the historical circumstances and material culture of the generation of Orpheu, this special issue is largely driven by a historiographical aim of reconstructing the socio-cultural context of the earliest modernist manifestations in Portugal and to sketch a kind of ‘sociography’ of Orpheu, its milieu and its time, which includes the larger international context of the outbreak of WWI and contemporary phenomena in the cultural field [...] In considering that the modernism of the generation of Orpheu is not satisfactorily explained solely through an aesthetic critical lens, contributions to this issue draw on concepts which originate in the social sciences and are predominantly used in the field of cultural studies, such as internationalization, transnationalism, cosmopolitanism, materialization or synthesis.
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10
Fernando Pessoa’s The Mad Fiddler: Sensationism in English
[The Mad Fiddler de Fernando Pessoa: Sensacionismo em Inglês]
https://doi.org/10.7301/Z0Z899MQ
ABSTRACT
Emphasizing Pessoa's dual cultural heritage, this essay traces the poet's exposure to English literature and culture from a young age, notably through schooling and directed readings during his formative years. Particular attention is paid to the impact of romantic poets from the pantheist lineage of Shelley and Blake on Pessoa's emergent poetics and poetry, as well as to the hitherto little-known details of his reception of Blake's poetry mediated through Yeats. These facets of their works surface in the transcendental pantheism expressed in the poems collected in The Mad Fiddler, an unpublished collection of English poems written between 1910 and 1917. A laboratory of the maturing process in Pessoa's poetry, I contend that this collection rehearses analogous aesthetic and philosophical ideas in his poetry in English to those he was developing in Portuguese, namely Sensationism and the Portuguese Neopaganism with which the heteronyms were associated, arguing through close readings of illustrative poems.
RESUMO
Enfatizando a dupla herança cultural de Pessoa, este ensaio delineia a exposição do poeta à cultura e literatura inglesas desde uma tenra idade, nomeadamente por meio da escolaridade e leituras direccionadas nos seus anos formativos. Particular atenção será dada ao impacto de poetas românticos da linhagem panteísta de Shelley e Blake sobre a poesia e poética emergentes de Pessoa, bem como aos detalhes da sua até à data pouco conhecida receção da poesia de Blake por intermédio de Yeats. Estas facetas das suas obras estão patentes no panteísmo transcendental expresso nos poemas de The Mad Fiddler, uma coleção inédita de poemas ingleses escrita entre 1910 e 1917. Enquanto laboratório do processo de amadurecimento na poesia de Pessoa, defendo que esta coleção ensaia ideias estéticas e filosóficas na sua poesia em inglês que são análogas às que estava a desenvolver em português, nomeadamente o Sensacionismo e o Neopaganismo português ao qual os heterónimos estavam associados, argumentando por meio da análise de poemas ilustrativos.
BIBLIOGRAPHY
BLAKE, William (1905). Poems of William Blake. Edited by W. B. Yeats. London: George Routledge
and Sons. [Fernando Pessoa House, call number 8-44].
CENTENO, Yvette K. (1978). “Fragmentação e totalidade em ‘Chuva Obliqua,’ de Fernando Pessoa.”
Fernando Pessoa: tempo, solidão, hermetismo. Edited by Stephen Reckert and Yvette K.
Centeno. Lisboa: Moraes Editores, pp. 103-124.
MCNEILL, Patrícia Silva (2010). Yeats and Pessoa: Parallel Poetic Styles. Oxford: Legenda.
PESSOA, Fernando (2014). Obra Completa de Álvaro de Campos. Edited by Jerónimo Pizarro and
António Cardielo. Lisbon: Tinta da China. Fernando Pessoa “Collection.”
____ (2013). Apreciações Literárias de Fernando Pessoa. Edited by Pauly Ellen Bothe. Lisbon:
Imprensa Nacional Casa da Moeda. Critican Edition of Fernando Pessoa. Collection
“Studies.”
____ (2009). Sensacionismo e Outros Ismos. Edited by Jerónimo Pizarro. Lisbon: Imprensa Nacional
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____ (2003). Escritos Autobiográficos, Automáticos e de Reflexão Pessoal. Edited by Richard Zenith.
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____ (1999a). Correspondência. Edited by Manuela Parreira da Silva. Lisbon: Assírio & Alvim. 2
vols.
____ (1999b). Poemas Ingleses. The Mad Fiddler. Edited by Marcus Angioni and Fernando Gomes.
Lisbon: Imprensa Nacional-Casa da Moeda. Fernando Pessoa Critical Edition. Major Series,
volume V, tome III.
____ (1998a). Ficções do Interlúdio: 1914-1935. Edited by Fernando Cabral Martins. Lisbon: Assírio
& Alvim.
____ (1998b). Fernando Pessoa & Co.: Selected Poemas. Edited and translated by Richard Zenith.
New York: Grove Press.
PIZARRO, Jerónimo, Patricio FERRARI, and Antonio CARDIELLO. A Biblioteca Particular de Fernando
Pessoa.. Bilingual edition. Lisbon: D. Quixote, 2010. Collection of the Fernando Pessoa
House
REIS, Carlos (2014). “Espaços da Língua Portuguesa ou os perigos da imagináutica.” Pelos Mares da
Língua Portuguesa 2. Edited by António Manuel Ferreira and Maria Fernanda Brasete.
Aveiro: Universidade de Aveiro Editora, pp. 9-20.
TERLINDEN, Anne (1990). Fernando Pessoa: The Bilingual Portuguese Poet: a critical study of The Mad
Fiddler. Bruxelles: Publications des Facultés Universitaires Saint-Louis.
WORDSWORTH, William and Samuel Taylor COLERIDGE (2007). Lyrical Ballads. Edited by Michael
Mason. Preface by John Mullan. 2nd ed. Harlow: Pearson Education. [1st edition in 1798;
London: J. A. Arch].
YEATS, W. B. (1961). Essays and Introductions. New York: Macmillan.
____ (1913). A Selection from the Poetry of W. B. Yeats. Leipzig: Tauchnitz. [Fernando Pessoa
House, call number 8-591].
Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 11
The Orpheu Generation and the Avant-Garde:
Intersecting Literature and the Visual Arts
[A geração Orpheu e a vanguarda:
Interseccionando literatura e artes visuais]
https://doi.org/10.7301/Z0X0657X
ABSTRACT
Considering the literary and artistic production of key figures from the Orpheu generation, this essay examines their transnational links to counterparts in the European avant-garde through acquaintance and epistolary networks. More specifically, it does so by focusing on the intersections between literature and the visual arts in works by writers and artists and the periodicals in which they published between 1915 and 1917, to argue that their aesthetic hybridity reflects the experimentalism in the arts of this period animated by the goal of creating "the total work of art", which is central to European modernism and actively practised by the Portuguese modernists.
RESUMO
Considerando a produção literária e artística de figuras centrais da geração de Orpheu, este ensaio examina as relações transnacionais que estas estabeleceram com os seus contrapartes na vanguarda europeia por meio de redes de familiaridade e epistolares. Mais especificamente, fá-lo ao focar as intersecções entre a literatura e as artes visuais nas obras destes escritores e artistas e nos periódicos em que publicavam entre 1915 e 1917, arguindo que o seu hibridismo estético reflete o experimentalismo nas artes deste período animado pelo fim de criar "a obra de arte total", que preside ao modernismo europeu e foi ativamente praticado pelos modernistas portugueses.
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Is Part of:
Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 12
Alfredo Guisado and the Orpheu affair:
tracing the magazine’s reception and impact through the Távora archive
[Alfredo Guisado e o caso Orpheu:
rastrear a recepção e o impacto da revista através do arquivo Távora]
https://doi.org/10.7301/Z09S1P81
ABSTRACT
Created by a group of practically unknown young writers and artists, when it appeared in 1915, Orpheu caused a scandal of significant proportions for a literary phenomenon, and the striking echoes in the mainstream press ensured its notoriety well beyond the moment of publication. The extent to which this outcome was planned or the result of chance circumstances is discussed in this essay, which reappraises the contemporary reception of Orpheu in the light of new findings yielded by the Távora archive, namely two notebooks with cuttings of press reviews kept by Alfredo Guisado. By considering these, the article reviews the latter's role in the making of the Orpheu's critical fortune. Guisado was one of the few authors associated with Orpheu who had published works before the magazine appeared. Through his early association with the mentors of the magazine, he was also one of the first members of the Orpheu group to write under the influence of the poetics that became associated with it. Therefore, his works document the tenor of the movement that was established through Orpheu, which will be revisited through the analysis of the manuscript of a poem – thought to be previously unpublished – found among Guisado's papers in the Távora archive.
RESUMO
Criada por um grupo de jovens escritores e artistas praticamente desconhecidos, quando surgiu em 1915, Orpheu causou um escândalo de proporções significativas para um fenómeno literário, e os ecos notáveis na imprensa corrente asseguraram a sua notoriedade para além do momento de publicação. Em que medida este resultado foi planeado ou a consequência de circunstâncias fortuitas será discutido neste ensaio, que reexamina a receção contemporânea de Orpheu à luz de novos achados na coleção Fernando Távora, nomeadamente, dois cadernos com recortes de imprensa de Alfredo Guisado. Ao considerá-los, o ensaio contribui para determinar o papel do escritor no estabelecimento da fortuna crítica da revista. Guisado foi um dos poucos autores de Orpheu que publicara obras suas antes do aparecimento da revista. Em virtude de se ter aproximado desde muito cedo dos mentores do projeto, Fernando Pessoa e Mário de Sá-Carneiro, Guisado foi um dos primeiros membros do chamado grupo do Orpheu a escrever sob a influência da poética que lhe ficou associada. Por conseguinte, as suas obras documentam o teor do movimento estabelecido por intermédio da revista, tal como exemplificado pelo MS de um poema seu – julgado inédito – que se encontra no arquivo Távora.
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